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KMeloche
Camera
LA-based Director of Photography working across narrative and branded content.
This user account status is Approved
Utility/Loader Certification

Select Cinematography Credits:
BAD AT DOG (2025). NYLIFF
GEEKAWAY CAMP, EP 101 & 102 (2024).
PUBLIC SERVICE EP Buddy Cops (2023).
KUMQUAT (2022). Boston Asian American Film Festival
PLANET OF LOVE (2022). Bloomsday Film Festival
DISSONANCE (2020). NewFest; Seattle Queer Film Festival; Fringe! Queer Film & Art Fest
HALF LIFE EP 102 & 103 (2019)HBO Women in Comedy Festival; Winner, Best Comedy Pilot, North Fork TV Festival
WISPY BUSINESS, Pilot (2019)
MARRIED WITHOUT KIDS, Pilot. (2019)New Voices Web Summit
PRETTY DEAD (2018). Official Selection of 13 film festivals including 2019 HBO Women in Comedy Festival & Martha's Vineyard International Film Festival

Personal Details

she/her

Los Angeles
New York

United States
English

Work Details

 
Non-member

Women in Media
Deep Light, a mentorship by Natasha Breyer, ASC
Women in Film
Film Independent
Moonshot Initiative
BlackMagic Collective

Cinematographer, Camera Operator, Loader, Gaffer

I’m a Los Angeles–based director of photography working across narrative and commercial/ branded content.
Before moving behind the camera, I spent a decade as a Creative Director/Art Director in advertising, leading work for brands like Ulta Beauty and Walmart at agencies including Saatchi & Saatchi, MullenLowe, and McCann NY. I later earned my MFA in Cinematography from the Brooklyn College Feirstein Graduate School of Cinema, and I’m a member of Women in Film, Women in Media, Moonshot Initiative, and Film Independent.

My strength as a cinematographer is finding the emotional center of a scene and framing images around it. I’m drawn to using light, framing, and movement in a way that quietly supports the story. I also value the collaborative nature of filmmaking, shaping a visual language alongside the director and team.

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