Executive Producer | GENIUSPILLS MEDIA (original narrative + non-fiction content, branded content + eComm)
Director / Writer -
Duck Duck (comedy short, in post-production)
Hystericus (horror short, Nightmares Film Festival 2025)
Baker's Dozen (short form tv season 01, Amazon Prime 2019)
Producer / Designer - WRITER'S BLOCK (sci-fi short, Boston Sci Fi 2025)
Co-Producer / Line Producer - sometimes I think about dying (short film, 2020 Academy Awards shortlisted)
Director - Pequena Lucette (for RENDITIONS dtla)
Director / UPM - Stop The Bleeding! a comedic web series (S08, S09)
Previous Crew Credits: Line Producer, Script Supervirsor, Coordinator
HYSTERICUS - Nightmares FF 2025, Positively Different Short FF 2026 + more; WEST! - Best Script, LA Indie Shorts 2026; WRITER'S BLOCK - People's Choice Award, Brooklyn Sci Fi Festival 2025; Best Ensemble Cast, ELSEWHERE - Hollywood Reel International Film Festival 2017; Gold Quill Award for Excellence, HR Video Series 2011
Work Details
SAG
JESSICA (creator/writer) has spent the past 10 years adapting true stories for scripted episodic narrative. She prefers to shepherd tales that champion a sex-positive/queer worldview, that explore recovery from multi-generational trauma, and that offer clear intersectional representation. Jessica works closely with Believe Limited and is co-founder of The Hall Theater, a company whose inaugural show “WOMB” focused on birthing practice and postpartum. Jessica has crafted content and experiential events for HBO, SoHo House, YoutubeRed, & Niantic Labs. Her short-form rom-com series Baker’s Dozen was released in April 2019 on Amazon Prime. (The title is now being re-worked into a feature presentation.) Jessica is also a teaching artist, specializing in mindfulness and creative story-telling (ages 8 +), and has taught at NAU Northern Arizona University, Parallel University, The Lighthouse, and play DTLA. JRich.online for more about current projects and affiliations; BFA - Acting Boston University / LAMDA - London Academy Music & Dramatic Arts.
